摘要
"《诗》无达诂,《易》无达占,《春秋》无达辞"既是董仲舒对周秦,特别是汉兴至武帝时期《诗》学、《易》学、《春秋》学历史的一个归总和陈述,也是对《春秋》笔法之"避此正辞而称君之子"的倡导与宏扬。董仲舒不仅在经学阐释学视野下将"《诗》无达诂,《易》无达占,《春秋》无达辞"付诸实践,而且将经学阐释学"从变从义,一以奉人"的话语规则泛化为后世阐释学的基本理路。
The idea that The Books of Songs,The Books of Changes,Spring and Autumn can't be completely translated is Dong Zhongshu's conclusion and statement about the study of the Book 0f Songs,the Book 0f Changes,the Spring & Autumn Annals from Zhou and Qin Dynasty,especially from the prosperous period of Han Dynasty to Emperor Wu,but also an initiation of the Writing Style of Spring & Autumn Annals by Dong zhongshu.Dong zhongshu not only put the idea that The Books of Songs,The Books of Changes,Spring and Autumn can't be completely translated into practice on hermeneutics view,but also made the discourse rule ' Once the song is written,different people hold different opinions' as the basic rule for the later hermeneutics.
出处
《三峡论坛》
2010年第5期112-117,共6页
China Three Gorges Tribune
基金
国家社科基金西部项目"春秋笔法与中国文论"(08XZW010)阶段性成果
关键词
《诗》无达诂
《易》无达占
《春秋》无达辞
从变从义
Incomplete Explanation of The Book of Songs,The Book of Changes,Spring and Autumn Annals
' Once the song is written,different people hold different opinions'