后悲剧感和小人物的命运——贾樟柯电影的一个人文立场

Post-Tragedy Feelings and Nobodies' Fate:Humanistic Position in Jia Zhang-ke's Movies

后悲剧感和小人物的命运是理解当代中国社会转型过程代价问题的一个视角。当代中国导演贾樟柯的电影从空间和时间两个层面阐释了后悲剧性与小人物命运的关联性,这一关联性具体解析为"故乡的瓦解"和"存在的碎片"。

It is a perspective of cost issue to understand Chinese contemporary social transformation by Post-tragedy feelings and understanding nobodies＇ fate.Jia Zhangke＇s movies,one of Chinese contemporary directors,explain the relevance of post-tragedy and nobodies＇ fate from two aspects of space and time.Specifically,the relevance can be understood as ＂the breakdown of homeland＂ and ＂the existence of fragments＂.