侗族民间“诗史”与“诗论”

The Dong's"History of Poetry"and"Poetics"

以大歌为标志的侗歌艺术,走出了国门唱响了世界,侗族因此赢得了"一个东方音乐民族"的美称;由此展开的话题讨论,目标在于探讨具有民间"诗史"与"诗论"特征的"养心"论,在何种意义上对侗歌艺术的内在品质、品格与外在规定性的影响作用。结论认为,被尊为美的化身的歌师是"耶乡歌海"的引领者;《歌师传》把"历史的内容还给历史",把处在开山祖的位置上的歌师及其美学追求、诗学见解记录了下来;而"养心"论的提出,系侗族对侗歌艺术作经验性总结与理论性概括,且标明一个民族的审美创造力发展到了一个较高的水平。由此带来的启示是,"越是民族越是世界的"命题的提出,其依据不依附于外在形式,而蕴含在诸如侗歌艺术的"古老纯正"、"清泉闪光"般的内在品质、品格及其原生性生命存在。

The Dong＇s chorus stands for Dong＇s song art,it goes abroad and moves the world,making The Dong to gain the honor of＂a musical nation of orient＂.So this article discuss the theory of＂Cultivation of Mind＂with characteristics of folk＂history of poetry＂and＂poetics＂which affects intrinsic quality,moral character and exterior stipulation of the Dong＇s song art.The article consider the song teacher as the leader of＂Dong style singing＂.The Biography of Song Teacher＂took the history back to the history＂,and recorded the aesthetic pursuit and the view of poetics.The theory of＂Cultivation of Mind＂is empirical summary and theoretical generalization on Dong＇s song art by the Dong,and indicates The Dong＇s aesthetic creativity development to a higher level.And then,the proposition of＂the more national,the more international＂was proposed,it is not attached to the external form,but implied the interior quality and the existence of original nature life,such as＂ancient and pure＂and＂spring and flash＂of the Dong＇s song art.