从玛乔瑞·帕洛夫的《21世纪的现代主义:新诗学》透视美国诗学的新走向

A New Trend of American Poetry Reflected from Marjorie Perloff's 21st-Century Modernism:The "New" Poetics

在当代美国诗歌评论界,玛乔瑞.帕洛夫是少有的几位关键性人物之一。她的《21世纪的现代主义:新诗学》便是一部研究新世纪美国诗歌特色和发展的新作。帕洛夫坚持其一贯的审慎、精确和全面的风格,对现代主义、后现代主义和当代诗歌的走向与创作等问题作了深入细致的探讨;在主要研究艾略特、斯泰因、杜尚和赫列勃尼科夫等几位诗人的基础上,帕洛夫肯定了语言派诗歌的实验与革新意识对当代诗歌发展的贡献,明确指出世纪之交诗歌发展之间的呈递性、联系性和整体性特色。帕洛夫在20世纪诗学评论上及时而令人信服的介入,不仅是她作为当代语言诗歌最佳阐释者身份的明证,同时还是当代诗学研究的绝佳范本。

Marjorie Perloff is one of the few critics who is essential to the critical field of contemporary American poetry.Her 21st-Century Modernism：The ＂New＂ Poetics is a new powerful work on the features and development of American poetry in the new century.Persisting in her constant cautious,exquisite and profound research style,Perloff makes a deep and meticulous study on modernism,postmodernism,and the directions and methods of contemporary poetry.She approves of the experimental and inventive consciousness of language poetry and points out the continuity,connection and wholeness in the poetic development at the turn of the 20th century with Eliot,Stein,Duchamp and Khlebnikov as the major figures.Perloff＇s timely and persuasive intervention in the criticism of twentieth-century poetry reaffirms her vital role as the foremost interpreter of language poetry and constitutes an outstanding sample of contemporary poetry study as well.