文革末期乡村生活的原始风景——论毕飞宇小说《平原》的思想意蕴

The Primitive Landscape of Country Life in the Late Period of the Cultural Revolution——On the Implication of the Novel "The Plain" by Bi feiyu

在《平原》这部长篇中,通过对高中毕业生端方和下乡知青吴蔓玲等人物形象的描写,呈现出文革末期乡村生活的原始形态,展示了普通农民在那个罪恶膨胀的岁月里在肉体与心灵上所承受的戕害与摧残,对流行的极左的政治思潮与各种陈腐的封建意识给予了辛辣的讽嘲和坚决的批判,并从非理性的原始生命力的张扬中,绽放出人性的自由与尊严。从而,在由历史与生命所建构的双层空间中昭示人们难以突围的生存悲剧与命运悲剧,体现出作家对农民整体命运的终极关怀。

By way of the description to high-school graduate Duan Fang,educated urban youth Wu Manling and other characters.this novel unfolds the mode of origins of country life in the late period of the Cultural Revolution,shows the ahrming of body and mind suffered by the ordinary peasants in that criminal times,taunts tartly and criticizes strongly the ultra-left trend of thought and the various types of stale feudal ideology,and blooms the freedom and dignity of humanity by rendering to irrational primitive vitality.In this way,the novel shows the readers the insurmountable living tragedy and the life tragedy in the double-layer space built by history and lives,and reveals the author＇s ultimate concern for the peasants＇lives.