摘要
借助巴赫金的狂欢化理论解读《谁害怕弗吉尼亚伍尔夫?》一剧,着重分析剧中狂欢化表现的三个方面,即狂欢式广场文化、狂欢式的双重性和狂欢式的笑。从狂欢视角分析得出,狂欢节的潮流对文学作品有着深刻的影响。对剧中狂欢化的解读,更是以全新的视角和独特的思维方式,赋予该剧以新的内涵和意义。
This paper attempts to interpret Who's Afraid of Virginia Woolf? by applying Bakhtin's theory of Carnivalesque,focusing on three aspects of Carnivalesque,namely,square culture of Carnivalesque,duality of Carnivalesque and laugh in Carnivalesque.By analyzing this drama from Carnivalesque point of view,the paper discovers the profound influence of the carnival culture on literary works.Therefore,the paper provides a new vision for understanding and constructing the new meanings of the drama.
出处
《合肥工业大学学报(社会科学版)》
2010年第5期85-88,共4页
Journal of Hefei University of Technology(Social Sciences)
关键词
巴赫金
广场文化
狂欢式的双重性
笑
Bakhtin
square culture
duality of Carnivalesque
laugh