摘要
由于唐朝以前关于建筑和院落组合的文献和图像资料非常缺乏,反映建筑组合美的隋朝特有的环型建筑图像就很有研究价值。本文以比较的视点,从单体建筑、建筑群和院落三个层面,全面解读了隋朝莫高窟的建筑图像。从建筑的形态和构成、群体组合以及院落布置这三方面解读了隋朝木构技术的进步,建筑组合的成熟以及院落布置的丰富。
Since there are rare textual materials and architectonic illustrations of architecture and courtyards about before the Tang Dynasty could be found,the peculiar annular building of the Sui Dynasty found in Dunhuang Murals which were vividly reflecting beauty of group of architectural arrangement had afforded great value for research.By a comparative study view,this article attempts to interpreting the architectonic illustrations of the Sui Dynasty in Mogao grottoes from the three levels:single building;a group of complex buildings and courtyard,and tries to had a better understanding of the Sui Dynasty' s developed technology of wooden construction, mature thinking of architectonic complex and arrangement of courtyard layout.
出处
《敦煌研究》
CSSCI
北大核心
2010年第4期18-26,125,共10页
Dunhuang Research
基金
浙江大学2009年学科交叉与重大项目预研基金
关键词
隋朝
环型建筑图像
构架形式
群体组合
院落布置
The Sui Dynasty
Annular Building images
Construction forms
Group Combination
Courtyard Layout