诗陌生化创作的意向性

A Trial Study of Intentionality in Defamiliarized Writing

诗的陌生化创作充分体现了西方哲学中的意向性。作为创作的主体,诗人通过意向性不断否定常规自我,不断地创造出诗的意象。该文探讨了诗陌生化创作的意向性过程,论述了意向性是陌生化产生的基本动因和诗创作的内在的必然的结构,指出诗的情感和陌生化的意象是意向性的双向建构过程中的产物,进一步明确情感与意象并非是在概念内部被动的限制性的显现关系,而是相互构建的过程。

The defarniliarized writing of poetry fully reveals the intentionality in Western philosophy. As a creative subject, the poet ceaselessly negates his traditional self and then continuously creates the aesthetical images of poetry. The paper studies the intentional process of the defamiliarized writing of poems, arguing that intentionality serves as the fundamental motivation of defamiliarized writing,and the internal and basic structure of poetic creation.It points out that the poetic feelings and defamiliarized images should be the outcome of the two-way constructing process between both, clarifying that the images are not generated in their showing up the feelings passively and restrictively, but in the process of constituting each other.