明代中后期花鸟画的美感内涵

On the Aesthetic Connotations of the Flower-and-bird Painting in the Middle and Late Ming Dynasty

明代中后期,画家们逐渐脱出古法,强调主体审美的自由抒发及作者内心的真切感受,表现真实性情的审美理想被高度强调,进而形成独有的审美形式风貌,开创出大写意花鸟画的新局面,在美术史中有其特殊的地位。

In the middle and late Ming phasizd the free expression of the subjective Dynasty,leaving from the traditional methods gradually, the painters emaesthetics and the innermost true feelings of the authors, and the esthetic ideal performing the real personality was stressed highly, thus formed the unique esthetic style, and created the new situation of the impeessionistic flower - and - bird painting, which had special status in the history of art.