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解读丰子恺先生的“中国绘画思想” 被引量:1

Interpretation of Mr Feng Zikai's Thought of Chinese Painting
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摘要 作为20世纪早期的美术理论家丰子恺针对当时"崇西抑中"的潮流,对"中国绘画思想"作了精辟的研究,这篇作于1930年的论文极力推崇东晋顾恺之的美学思想,对他的"神气、骨法、用笔、传神、置阵、模写"等六个要素的内涵深入分析,特别指出其"以形写神"、"迁想妙得"等观点对后世中国写意绘画的深刻影响,对今天的当代美术创作仍有指导意义。"艺术兴学"一个重要的方面就是应该把丰子恺的艺术思想传承下去。 As the early 20th century art theorist, in view of the trend of thought "worshipping the West by depreciating China", Feng Zikai made a brilliant study on "the Thought of Chinese painting ". His article, written in the 1930, strongly advocated the aesthetic thought of Gu Kaizhi of the Eastern Jin Dynasty, made a thorough analysis of the six elements, and pointed out that Gu's ideas had a profound influence on Chinese impressionistic painting. It is one of the important aspects of developing school by art to inherit Feng Zikai's artistic thought.
作者 刘绍荟
出处 《桂林师范高等专科学校学报》 2010年第4期15-17,共3页 Journal of Guilin Normal College
关键词 丰子恺 顾恺之 以形写神 迁想妙得 骨法用笔 Feng Zikai Gu Kaizhi display the charm by the shape obtain wonderfully by imagination paint with moral integrity
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