摘要
2010年初上映的电影《孔子》呈现的是一个心怀雄心却始终不得志的政治家、军事家形象。电影《孔子》从制作到被观众接受经历了一个编码与解码的过程,由于不同的受众会采取不同的解码态度与方式,于是渗透着权力话语的编码就决定着最终塑造的孔子形象。
The movie Confucius has been shown at the beginning of 2010 which presented the image of a politician, a militarist who was greal ambitions but never succeeded. The process from the movie making to the acceptance of audiences has undergone the progress of encoding and decoding, because different audiences would adopt various attitudes and methods of decoding. As a result, the encoding which infiltrates the power discourse would finally dominate the image Confucius.
出处
《重庆交通大学学报（社会科学版）》
2010年第5期67-69,共3页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
孔子
编码
解码
文化意义
Confucius
encoding
decoding
cultural meaning
