海派园林空间生态美学特征及其逻辑分析——以嘉定秋霞圃为例

Eco—Aesthetics and Its Logic in Spaces of the Garden with Shanghai Style: A Case Study of Qiuxia Pu

本文从生态美学角度探讨了海派园林中的空间特征,通过数据收集、空间认知、文化解读等质化和量化方式,对案例秋霞圃的空间形态布局、空间结构要素构成、空间主题修辞进行了剖析,指出了花园的空间特征——"以小为美"、"迭代衍生之美"、"自然与建筑耦合共生之美"以及空间网络的可编辑性/可持续性以及主题的延续性等,并认为这些生态美学特征与易经中的道家思想有着一定的关联性。论文倡导的"人与自然的和谐相处"的思想及其策略为上海诗意栖居的人居环境建设提供了思路与途径。

Based on theories and methods of eco-aesthetics, the essay focuses on the spatial features in gardens with Shanghai style. Through data collecting, spatial cognizing, and semantic representing, it takes Qiuxia Pu as an example and analyses the essence and logic relation of the spatial configuration, structures, and culture Within it, such as smallness, endless iteration and coupled action between nature and buildings. Editable physical networks and a representational cultural theme also make contributions for symbiosis relationship between dwellers and natural environments in the garden. Partially related to the philosophic idea of ＂biophilia＂ in I Ching, these spatial strategies might provide alternative approaches to poetic human habitats for Shanghainese.