摘要
上世纪二、三十年代的"革命文学"以及部分左翼文学,在文学史中常被概括为"革命加恋爱"现象。从都市文化研究的角度,探讨形成这一文学现象的深层原因。进步青年的激进心理形成于都市景观的视觉对比,而只有亲身流连于都市生活,在对都市意象的符号化把握中,才能产生出新的书写形式。对这些作者来说,激进心理和都市空间的欲望机制纠缠在一起,形成了"革命热情"的一大源头,同时其意识和创造力又受到了空间感的限制。
Revolutionary literature, together with parts of left-wing literature, is academically named in literature history the phenomena of "Revolution plus Love", which serves the main subject of this article, for this article is designed to search for the deepest cause of how it was born originally from the angle of metropolis cultural studies. The radical will of new minded youth was shaped by optical switches of metropolis spectacles, whereas only when he immersed himself into metropolis life, having managed to symbolize metropolis images, could he create a new form of writing. To these writers, radical will twisted with desires of metropolis life, became a momentous source of "revolutionary passion", while their minds and creativity are confined by spaciousness all the time.
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2010年第5期85-91,共7页
Journal of Tongji University:Social Science Edition
基金
同济大学文科科研基金项目"都市左翼文化与‘新感觉'的发生研究"阶段性成果(项目编号为0300219035)
关键词
革命文学
左翼文学
革命加恋爱
都市书写
revolutionary literature
left-wing literature
revolution plus love
metropolis writing