“前现代”寓言、类型拼贴与泛亚语境建构——当代韩国宗教题材电影的主题学分析

The "Pre-Modern" Fable,the Genre Assembly and the Construction of the Trans-Asia Context——An Analysis of the Theme of Contemporary South Korea' s Religious Film

宗教电影是韩国当代电影创作的一个重要分支,它们同步参与了韩国当代社会文化与民族集体心理的现代性转型,也形成迥异于西方经典宗教电影的表现主题与泛亚美学特征。根据主题表现度对当代韩国宗教题材电影进行分类,可以概括其三种美学特征:高纯度宗教电影的寓言化特征;宗教题材的通俗化处理;现实语境中围绕宗教信仰的国民性反思。作为泛亚地区面对当代西方文化的一个缩影,韩国宗教题材电影不断强化自身的民族主体性与情感价值,其多元发展的美学形态也提供了比较研究的视野。

As a branch of South Korea＇s contemporary film creation, South Korea＇s religious film participates in its modern transformation of contemporary social culture and national collective psychology, and also features the expressive theme and trans-Asian aesthetics, which are different from the classic religious film in the Western countries. This essay, based on the thematic expressive degree, has a classification of South Korea ＇s contemporary film of religious topics, generalizing three aesthetic characteristics： （ 1 ） the high-pure allegorization of religious films; （2） the popularization of religious topics; （3） the reflection on the national identity surrounding the religious faith in the context of reality. As an epitome of the Western contemporary culture in the area of trans-Asia, South Korea＇s religious films continuously strengthen their national subjectivity and emotional value, the diversified aesthetic form of which provides a visual field of comparative study.