论苏门四学士骚体文学的创作成就

A Study on Su-Shi's Four Disciples' Creative Characteristics and Achievements in the Style of Li Sao

由于党争的加剧和仕途的艰涩,北宋时期苏门四学士的骚体文学创作,感身边事,观眼前景,于赠友和答类、叙事抒怀以及品物抒怀类的作品中,既有高志难伸的苦闷,也有对激励名节的追求。在创作风格上,他们秉持了骚体文学一贯的抒情传统,或寓情于景,或托物寄情,或缘事抒怀,文中洋溢着充沛的情感,有着生活化、世俗化的共同倾向。但四人的风格又各具特色,具体表现为:黄庭坚的平和意远、温柔敦厚;张耒的平淡清旷、意蕴深邃,以及雄豪瑰丽,奇崛奔放;晁补之的铺叙和用典;秦观的慷慨宏大、意志深远等特点。

As a result of conflicts between the two political Parties aggravating and career being frustrated,Su-Shi＇s four Disciples of creation in the Style of Li Sao was shown solicitude for things around in Northern Song Dynasty. They noticed sight, presented each other with poems, narrated expressive feelings and appreciated in their many works. Lofty and aspirations were beautiful dreams to them. It＇s too difficult to be achieved. Depression was everywhere. But they encouraged themselves to pursue morality. In writing style, they insisted on consistent lyrics in tradition, putting emotions into the middle of the scene, expressing emotions with things. Plenty of emotions were filled with their works in daily life and the common tendency of secularization. While Su-Shi＇s four disciples creative characteristics were distinctive. Specific performance. Huang Ting-Jian＇s was gentle, continuous, and gentle-and-magnanimous in meaning; Zhang Lei＇s was insipid, fresh, profoundly artistic on connotation, whose characteristics were also majestic, heroic, magnificent and peculiar; Chao Bu-zhi narrated in detail and literary quotation;Qin Guan had the featues of open-handedness, generosity, great motivation and far-reaching in distinguishing feature.