摘要
20世纪90年代末,冯小刚的喜剧电影给当时相对沉寂的国内电影市场带来了勃勃生机,形成了一种品牌。文章着重探讨了冯小刚喜剧电影中的文化要素:相声的电影化表达,冯小刚喜剧电影中的相声因素;小品的电影化表达,冯小刚喜剧电影中的小品因素;最后,从家庭观念、生活情景、流行文化等方面,论述了冯小刚喜剧电影的文化亲和力,也就是当代文化对其作品的影响。总之,冯小刚的喜剧电影已经成为一种现象,尤其是他在喜剧电影作品中对文化的传承和吸收,是非常值得关注的,也是其作品成功的关键所在。
In the late 1990s, Feng Xiaogang's comedic movies brought vigor and vitality to the silent Chinese movie market, and then his movies have become a brand. The essay focuses on the cultural elements how cross talks and dramatic skits are interpreted in Feng Xiaogang's cornedic movies. The essay discusses the cultural intimacy of his comedic movies from three aspects: family concept, living situation, and popular culture, that is to say, the contemporary culture affects his movies. Therefore, Feng Xiaogang's comedic movies have turned to be a phenomenon. Especially, taking in and passing down the culture in his movies are the key points to his success.
出处
《河北大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第6期25-29,共5页
Journal of Hebei University(Philosophy and Social Science)
基金
2009年度河北省社会科学项目<冯小刚喜剧电影研究>(HB09BYS001)
关键词
冯小刚
喜剧电影
文化要素
Feng Xiaogang
comedic movies
cultural elements