艺术如何通达真理——海德格尔美学之思的三条不同道路

How Does Art Approach the Truth?——Three Different Paths of Heidegger's Aesthetic Thinking

海德格尔在以"艺术"为起点辗转行至"真理"的路途中实际上勾划出三条不同的美学道路。第一条:存在→存在者→艺术作品→真理→艺术;第二条:人(艺术家)→艺术作品→作品的作品存在→真理→美;第三条:诗人→诗→语言→真理。这三条道路在总体上呈现出一种相互纠缠和非线性逻辑的美学特征。这种美学特征既昭示着海德格尔由"艺术"行进至"真理"所使用的技术策略,也表征了他为身处于技术时代"无思"的我们所开的美学药方。

Heidegger had drawn the outline of three different aesthetic paths when he took ＂art＂ as the beginning to approach twistingly to the ＂truth＂. The first path： Being→Beings→Art work→Truth→Art; the second path： Human （artist） →Artistic work→Work existence→Truth→Aesthetics; the third path： Poet→Poem→Language→Truth. These three paths are presenting an entangleable and nonlinear logical aesthetic character as a whole. Therefore, Heidegger＇s aesthetic thinking is both his technical tactic from ＂art＂ to ＂truth＂, and his aesthetic prescription for us who plunged into the technical times of ＂non-thinking＂.