摘要
本文在追溯纪录片发展史的基础上,对国内首部记录剧情片《迷徒》的继承性和创新性进行了分析,旨在促进中国纪录片的发展进步。
The essay has demonstrated the history of the documentary film development and analyzes the inheritability and creativity of the first domestic documentary film docudrama"Lost".Its main purpose is to promote the development of the documentary film of China.
出处
《新闻界》
CSSCI
北大核心
2010年第5期109-110,共2页
Journalism and Mass Communication