论租界语境体验下茅盾的身体叙事

On the Body Language Description of Mao Dun under the Experience of Concession Context

20世纪30年代作家笔下的女性形象大致有三类:一是受压迫的劳动妇女;二是都市尤物;三是知识革命女性。这些女性形象在茅盾笔下都有呈现。从茅盾小说《蚀》中的大量的身体语言入手,具体分析了茅盾笔下时代新女性的特点,指出了茅盾受租界颓废叙事语言影响下的极端化肢体语言写作倾向,揭示了作者对时代新女性与身体政治关系背后的现代性的诉求。

There are three kinds of women in the works of writers in 1930s： the oppressed labor women,the urban unique women and the intelligent revolutionary women.Their images are presented under the pen of Mao Dun.According to a great deal of body language in Mao Dun＇s novel ＂Shi＂,the analysis focuses on the characteristics of contemporary new women in Mao Dun＇s writing.It is pointed out that there was the writing trend of extreme body language in Mao Dun＇s works,which shows that he was influenced by decadent narrating language of concessions.And this reveals writer＇s modern pursuit for the relationship between modern women,their bodies and politics.