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中国山水画的艺术精髓及精神之源 被引量:1

Life Philosophy of Chinese Mountain-and-water Paintings
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摘要 作为中国文化理念外化形式之一的中国山水画,其整个艺术流变与演进的过程,深刻反映出中国传统文化的精髓,体现出中国文化的价值观。由于历史的线性发展,造就了中国文化的线性形态,也确保了中国山水画这种艺术形式的相对完备,无论语言法则、程式规范、绘画理论都有着非常完备的水平与系统。在中国山水画的演进过程中,它的发展方向指向了自然,推崇只有人和自然在一起,人类才能更加完善,通过对于自然山水的描绘,注入自己对于文化、哲学、人生价值观的思考和感悟,才能实现"观道"的目的,也最终才能达致"天人合一"的境界。 The emergence,transformation and development of Chinese mountain-and-water paintings,one of the exterior demonstrations of Chinese cultural conception,deeply display the essences and values of traditional Chinese culture as well as the existentialism of Chinese scholars. Survivalism is emphasized in Chinese culture and becomes a Chinese-style cultural concept. The linear development of history results in the linear formation of Chinese culture,which contributes to the improvement of Chinese mountain-and-water paintings in terms of language,patterns and painting theories. In the process of their development,mountain-and-water paintings are nature -oriented and worship the combination of nature and human beings so as to perfect humans themselves. It is believed that only by injecting painters ' reflections of culture,philosophy and life values into depicting the mountains and waters can painters achieve the Way and realize the oneness between man and nature.
作者 冉健
出处 《绵阳师范学院学报》 2010年第9期128-131,共4页 Journal of Mianyang Teachers' College
关键词 观道 天人合一 消解 禅宗 achieve the Way oneness between man and nature deconstruction Zen
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  • 1陈洛加.外国美术史纲要[M]电子科技大学出版社,1993.

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