摘要
有真正意义的讨论出发点应该是现实的显现方式对现实的建构作用。现实主义对"真实性"或"非虚构性"的美学追求,与塑造这一生活的具有审美积极性的主体之间不同的张力关系,必然导致现实主义形式的扭曲和变形,进而生成不同的意义。本文以《檀香刑》和《沧浪之水》为例,说明当下的文本对现实显现的两种基本模式实现了对意义的放逐。
Any meaningful discussion should started from the constructive role the represent of meanings plays on the reality.In realism,the non-fiction text is supposed to expose the reality of life.Such a seeking for aesthetic meanings,however,is not in accordance with the fact that different writers,being the subjectivity of the creation,have different aesthetic orientations.Therefore,the represent of meanings in realism must be different,which definitely leads to different meanings.Based on analysis of two novels-Tanxiang Xing and Canglang Zhi Shui,this paper discusses two basic ways that the realists employed to represent the real world,in which we can see that the meanings of the world have been expressed freely.
出处
《绵阳师范学院学报》
2010年第10期54-58,共5页
Journal of Mianyang Teachers' College
基金
教育部人文社科青年项目"现代化诉求与新时期文学制度研究"
项目编号:09XJC751006
西华大学重点基金资助项目"茅盾文学奖的文学制度研究"
项目编号:ZW0820701
关键词
现实主义
意义
再现方式
realism
meanings
representing ways