摘要
20世纪30年代,老舍依然沿着自己的创作主题,继续关注着国民性的问题。在其短篇小说《柳屯的》中,他批判了国民性中的骑墙哲学,并对与此相联系的明哲保身、看客等心态进行了揭露。同时,还为我们塑造了一个被"立"的人的形象。
Lao She continues to pay attention to the nationalistic question, by means of his own literature theme in 1930s in " Liu Tun" , lao she criticized strongly the fence - sitter, exposed the popular phonomenon of playing safely and bystanders. Meanwhile, Lao she also portrayed a quite independent human' s image for us.
出处
《河南理工大学学报(社会科学版)》
2010年第3期324-326,共3页
Journal of Henan Polytechnic University:Social Sciences