坚守 重构 突围——论姜文导演作品另类叙事图景的文本意义

Adhesion.Reconstruction.Breakthrough——On the Text Significance of Another Narrative View of Movies by Director Jiang Wen

作为导演的姜文,坚守着自己对于电影的独特感知与个性理解,其导演作品《阳光灿烂的日子》终结了青春想像神话;《鬼子来了》颠覆了红色经典抗战叙事;《太阳照常升起》则通过对基督精神的张扬和对悲剧人性的探讨,完成了对"中国制造"大片的一次历史性突围。姜文创造性地表达出了中国知识分子的人文情怀,直接奠定了这三部影片在中国电影史上存在的价值与地位。

As a director,Jiang Wen sticks to his own unique perceptions and personalized understandings in these years.His first movie In the Heart of the Sun,proclaims the historical end of the myth about youth imagination.Devils on the Doorstep produced in 2000,overturns anti-Japanese war narrative of Red Classics.In his later-directed movie the Sun also Rises,Jiang Wen attempts to achieve a historic breakthrough in Chinese blockbuster through the probe into tragic humanity and the publicity of the Christian spirit.Jiang Wen creatively expresses human feelings of Chinese intellectuals,establishes directly values and status for the existence of these three movies in Chinese film history.