析绘画与文学中维纳斯形象的哲学与神学意蕴

An Analysis of Philosophical and Theological Connotations of the Image Venus in Painting and Literary works

文艺复兴时期,绘画与文学有着密切联系。就艺术创作的主题而言,这一时期的绘画和文学媒介有一个共同的载体,即维纳斯形象。在这一时期,画家波提切利通过《维纳斯的诞生》与《春》,诗人斯宾塞通过《爱情小诗》与《祝婚曲》,阐释了象征神圣与世俗之爱的爱神与美神维纳斯形象所蕴含的新柏拉图主义哲学与基督教神学思想。

Painting and literature have a close relation in Renaissance.There is a common subject for painting and literature artistic creation,the image of Venus.In this period,Botticelli through his works ＂the Birth of Venus＂ and ＂Spring＂ and Spenser through his poems ＂Amoretti＂ and ＂Epithalamion＂ expound the image Venus,a symbol of both holy and secular love,and its connotative Neo-Platonism and Christian theological thoughts.