论杜甫的歌

The Singing Poetries of Fu Tu

在中国音乐文学史上,歌有着悠久的历史,古人在用"歌"来命题诗作,用"歌诗"来指称诗作传唱行为时,实际界定的是诗作的音乐属性,定义的重点在于诗作的乐声表达,而非诗作本身的字音韵律。直至唐代,歌仍然受到诗人的青睐而被广泛用以诗歌传唱,杜甫就是其中很有代表意义的一位。杜甫在内外因素的共同影响下,对歌诗活动倾注了极大的热情,他上承"诗言志,歌咏言"的传统,通过歌诗方式抒发吟诵无法表达的强烈情感;他具备自觉的歌诗意识,能用某种特定的歌唱方式来表达特定的诗情,使歌声与诗情浑融一体;他能以歌诗方式实现自我抒情、酬唱赠答、人物品藻、山水咏怀、书画品鉴等表现功能;他能综合运用语词、韵律等诗艺手法增强歌诗的音乐感染力。

In the history of music literature the tradition of singing is time-honored. When the ancients use the word of song to named their poetries or the behaviour of singing poetries,what they were actually defining is not the rhyme but the musical expression of the poetries. Until the Tang Dynasty,song is also one of the favourite medium of poets to to spread their poetries. That is why there is so many Singable Poetries be created during this period. In this essay,the author chooses Tu Fu who occupied an important berth in the poetry circle of the Tang Dynasty and represented the fully developed of the artistic feature of poem writing as the research object.