中国文学中的“情”、“味”、“境”——兼谈王文生《中国美学史:情味论的历史发展》

"Sentiment","Taste","Boundary" in the Chinese literature——To comment Wang Wen-Sheng "The Chinese esthetics history:the sentiment discusses historical development"

"情"、"味"、"境"是最能体现中国抒情传统文学旨要的核心概念,也是王文生对古典传统研究自始至终所执着追寻与探视的人生审美理想。《中国美学史:情味论的历史发展》是王先生继《论情境》后推出的力作。其最为新颖之处无疑是"以情味之线,牵美学之史"。他从中西文化语境纵观中国传统抒情文学并逗引出"情味论",并对"情味论的历史发展"作了交互式的潜在整合、梳理和大胆果敢的纠评与言说,给人以深刻的启悟。

＂Sentiment＂,＂Taste＂,＂Boundary＂ is the core concept which can the best embodiment the traditional literature of Chinese,is also the persistent pursuit of the classical traditional research and the visiting life ideal throughout the life of Wang Wen-sheng that is from beginning to end.＂The history of Chinese aesthetics： The sentiment discusses the historical development＂ is Mr.Wang Wensheng following to continue ＂Discusses the recent work which Situation＂ boosts.This book most novel place is precisely lies in him ＂line of by the sentiment,pulls history of the esthetics＂,allows temporary credit China and the West culture the dual statuses,looks over the Chinese tradition from China and the West culture linguistic environment to express feelings the literature and teases an extremely important concept —— ＂the sentiment theory＂,and ＂the historical development which discusses to the sentiment＂ makes the interactive latent conformity,has combed boldly with courageous investigates comments with speaks,and opens for the human by the extremely profound ponder and enlightenment.