“犬马难”与中国绘画再现观

"Quan Ma Nan"and the View of Reappearance of Chinese Painting

"犬马难"体现了早期绘画再现技巧的不成熟及当时画家应对观众挑剔的困窘。意识到"犬马难"的画家,要么乐于接受熟悉物象的观众的批评,要么事先对所要描绘的物象进行深入观察和研究。在画家通过不懈努力以解决"犬马难"问题的同时,绘画"写意性"地位的提升使人们关注的焦点发生了转变。在此情境中,"犬马难"这一问题被忽略,这也是中国绘画艺术发展历程中的一种独特现象。

'Quan Ma Nan'reflects the immaturity of the early painting representational techniques,those artists cannot meet the stringent requirements of the audience at the time.When a painter aware of the problem'Quan Ma Nan',he was willing to accept criticism of the audience who familiar those things which he described,or made in-depth observation before drawing or painting.In the process of solving the problem 'Quan Ma Nan',the importance of 'freehand'of painting gradually been strengthened,it makes people's focus shifted.In this context,and the problem 'Quan Ma Nan'was ignored.This is a unique phenomenon of development of Chinese painting.