摘要
谭恩美的《喜福会》中的华裔女性,无论是从中国移民到美的母亲们,还是在美国出生长大的女儿们都被中国文化和美国文化双重边缘化了。她们处在两种文化的罅隙中,带有尴尬的双重"他者"身份。本文试图从后殖民女性主义视角出发,对本作品中的华裔女性的身份问题进行剖析,并试图证明这些华裔女性为寻求,构建自己的文化身份所做的努力。
The female Chineses-American characters in The Joy Luck Club written by Amy Tan,no matter the mothers immigrated from China to America or the daughters born in America,have been double-marginalized by Chinese culture as well as American culture.They live between the two cultures and bear an embarrassed double-Other identity.This thesis analyzed the identities of theses Chineses-American females from the perspective of post-colonial feminist and tries to prove that these Chineses-American females tried a lot to seek and construct their cultural identities.
出处
《甘肃联合大学学报(社会科学版)》
2010年第6期28-31,共4页
Journal of Gansu Lianhe University:Social Sciences
关键词
边缘化
华裔女性
身份
后殖民女性主义
Marginalize
Chinese-American females
identiy
post-colonial feminist