中西比较美术“影响论”的缺失

Deficiency of "Influence Theory" in Chinese-Western Fine Arts Comparison

影响研究主要以放送者或影响者的视角研究对他者的美术影响。其基本话语是以主体者的身份研究主体者美术对他者美术的影响,在研究他者美术的过程中,强调主体者的影响。由于影响论研究的话语者在进行中西比较美术学的研究工作中,其话语立场往往忽视"他者"美术自身的发展逻辑形成的美术形态的事实,而把这种"事实"作为主体者的影响,或者任意夸大主体者对他者的影响,形成一种"中心主义"的话语立场。因而,"影响论"在中西比较美术学的研究中,带有明显的缺失,而导致研究结论的失效或不准确。

The ＂influence research＂ mainly studies the art impact upon ＂the other＂ from the perspective of influencing subject.When supporters of ＂ influence theory＂ are doing researches relevant to Chinese-western fine arts comparison,they always ignore the objects＇ existing art conception formed with their own development logic.Otherwise they often take this ＂ fact＂ as their influence achievement,or willfully exaggerate their influence to ＂ the other＂.There is no doubt that it takes of a ＂ centralism＂ position.Therefore,there exists a visible deficiency in ＂ influence theory＂ in Chinese-western fine arts comparison,which results in the inaccuracy of research conclusion.