摘要
苏轼、苏辙和苏门四学士的骚体辞赋创作对传统的骚体作品多有继承,如内容上继承骚体的骚怨精神,抒发贤人失志之悲,创作方法上有着普遍的祖骚宗汉的倾向,同时也有创新,如思想上兼容儒释道,体制趋于短小,进一步消解辞赋与诗歌、散文之间的区别,风格各异,呈现北宋骚体辞赋的真正面貌,对后世的骚体辞赋创作、屈原形象的确立、骚体文特征的研究影响深远。
The Sao Cifu written by the members of the Su Group,inherited the traditional features of the style,such as expressing the sadness of the failure excellences,imitating the works of Qu Yuan and the Han Dynasty.At the same time,the members of the Su Group innovated the Sao Cifu,they held the ideals of Confucianism,Taosim,and Buddish in one article,shortened the works scale,cancelled the differences among the Sao Cifu,the poems and the prose.Their styles were not similar at all.All these embodied the unique feature of the Song Dynasty.Greatly,the works of the Su Group influenced the writing of the later,the establishing of the Qu Yuan’s character,and the studying of the features of the Sao Cifu.
出处
《巢湖学院学报》
2010年第4期58-62,共5页
Journal of Chaohu University
基金
安徽省教育厅人文社科类一般项目(项目编号:2008sk374)
关键词
苏轼
苏辙
苏门四学士
骚体辞赋
因革
影响
Su Shi
Su Zhe
the four scholars of the Su Group
Sao Cifu
inheritance and innovation
influence