摘要
读过海子抒情诗的人大都会被他诗歌中一个个充满了原始生命力的意象所打动,他像一切热爱浪漫主义的诗人一样热爱着意象的创造。然而海子对此有着冷静的思考,他对当时的诗坛有着比较清醒的认识。中国传统诗人一接触到山光水色时那种寄情忘我的境界,在海子的土地情思中被抖落得一干二净。海子笔下的田园风光,是生命在静静毁灭中生长和燃烧的元素。在这个普遍丧失敬畏的年代,在神秘而伟大的麦地面前,海子这个"感恩的麦地之子"带着无比的惭愧无比的崇敬朝向麦地膜拜。
Reading his lyric poetry,one will be touched by much of Haizi's poetic imagery which is bursting with primitive dynamism.Like all romantic poets,Haizi loves creating imagery in his poems.However,he had some serious thought of and a sober attitude to the then poetic circles.He has given up those Chinese traditional poets' abandoning themselves to nature in his affection for grain field.The idyllic scenery in his poems is an expression of life burning and growing from ruins.In this era when people have no awe for anything,Haizi,"son of grain field",worships the great and mysterious grain field with the deepest respect.
出处
《中国海洋大学学报(社会科学版)》
CSSCI
2010年第6期112-115,共4页
Journal of Ocean University of China(Social Sciences)
关键词
海子
抒情诗
意象
麦地
Haizi
lyric poetry
imagery
grain field