摘要
花鼓灯承续道家生命哲学的乐生观念,艺术的道性特征非常鲜明,是较为充分地凸显道家审美文化的汉民族民间艺术的典型。将花鼓灯艺术置于道家审美文化的视阀中进行研究既是探索花鼓灯艺术特征、文化特质的一把钥匙,也是我们深刻认识道家文化对消解当今"人类中心主义"主客体二元对立窘境所起积极作用的重要向度。
Huagu opera inherits and carries on the agelessness idea of Taoist life philosophy,and it has a distinct Taoist characteristic of art.Naturally,it is typical of Han Nationality folk art which fully highlights Taoist aesthetic culture.Researching into Huagu opera art from the perspective of Taoist aesthetic culture has become a key to exploration of both Huagu opera artistic characteristic and cultural trait,futhermore,it is an important dimension that functions actively when we fully understand how Taoist culture dispels the binary opposition between subject and object of current "anthropocentrism".
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第6期84-88,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
安徽省教育厅2009年人文社会科学课题<花鼓灯艺术文化特质研究>(2009sk424)的阶段性成果
关键词
花鼓灯
道家审美文化
道性特征
乐生观念
Huagu Opera
Taoist aesthetic culture
Taoist characteristic
the agelessness idea