王夫之尚“平”的诗学观及理论渊源

The Poetics Concept and Theoretical Source of Wang Fuzhi Upholding "Ping "

王夫之论诗尚"平",其意涵体现在气、势、语言等诗学层面。王夫之尚"平"的诗学观与宋代文学家"诗造平淡"说有着本质的差异,是由宋代理学家的"平淡"诗论开显。于此,王夫之克服了宋代理学家诗学观念与创作实践之间的矛盾,其"平"就是"胸次悠然,暇豫不迫"的内圣境界在诗歌审美中的具体反映。

That Wang Fuzhi＇s poetics upholds ＂Ping＂ embodied in the poetics ot the vitahty, tendency, language and so on. This poetics concept is fundamental difference from the concept of the Song literary authors who advocated ＂prosaic＂. This poetics concept stems from poetry thinking of ＂prosaic＂ in the Song confucian scholars,but it overcomes the Song confucian scholars~ contradiction between the poetics concept and creative practice. Wang Fuzhi＇s poetics concept of ＂Ping＂ is aesthetics reflection of the Saints realm that is leisurely and calm at any time.