从“论情境”到“情味论”——读王文生新作《中国美学史:情味论的历史发展》有感

From "on Situation" to "on Sentiment" ——Thoughts of Reading Wang Wensheng's New Work The Chinese Esthetics History:The Historical Development of Sentiment

"情境"、"情味"观在强调中国最具特色的"诗言志"的文学思想源流的基础上,提倡与总结中国古典文学的审美趣味倾向和普遍的美感经验,强而有力地突显了中国抒情文学思想脉络的精深体系特点。从"论情境"到"情味论",正是王文生诠释中国抒情传统文学中"情"、"味"、"境"的写照,更是他揭示潜在的中国文学独特体系中具有高度思辨的美学思想的隐然贡献。

The concepts of ＂situation＂ and ＂sentiment＂ emphasize that on the basis of the origin of literature ideology,＂the poem expressing ideal＂,which is of most ＂Chinese＂ Chinese character,Chinese classical literature＇s aesthetic taste and general aesthetic experiences should be advocated and concluded.It highlights the profound systematical characteristics of the sequence of Chinese ideology on lyric literature.The transference from ＂on situation＂ to ＂on sentiment＂,is exactly the reflection of ＂emotion＂,＂taste＂,and ＂context＂ in traditional Chinese lyric literature illustrated by Wang Wensheng,furthermore,it is the implicit contribution revealed by him to the unique system of potential Chinese literature,which contains high degree of speculative aesthetic thoughts,