摘要
曹操突破了汉代以来注重音乐政教作用,忽视音乐审美娱乐功能的儒家音乐思想。他在继承雅乐传统的基础上,重视音乐的抒情功能,强调音乐娱乐性及个体感情的抒发,注重音乐内容与形式的统一美。法、墨、道及游侠和朴素唯物主义思想,也被援引入曹操诗、乐创作中。曹操独特的音乐思想对后世文人音乐思想产生了重大影响。
Cao Cao, a statesman towards the Han Dynasty, broke through the Confucian thought of music stressing moral teaching while ignoring its aesthetic function. By inheriting the traditions of gagaku music, he advocated the lyrical function of music and stressed its entertainment and expression of emotions, and meanwhile he emphasized the unity of its content and form. And Cao also introduced Legalist, Mohist, Taoist chivalric and naive materialistic thoughts into the composition of poetry and music. His unique thoughts on music have lasting impact on the musical culture of later generations.
出处
《宝鸡文理学院学报（社会科学版）》
2010年第5期40-45,共6页
Journal of Baoji University of Arts and Sciences：Social Science Edition
关键词
曹操
音乐创作
音乐思想
Cao Cao
musical composition
musical thought
