摘要
五四时期的女作家,站在与男性相平等的位置上言说女性心声,重新思考两性关系,在观念层面上确定爱情的神圣性。而到了上海现代女作家这里,她们开始质疑男性的神圣和伟大,开始塑造了一系列阉割化的男性形象。在海派小说的艺术氛围里淡淡地渗透着悲凉的女性生命品味。女作家描摹着一幅幅日常世俗的画面,传递出代表这个城市精神的市民意识。
Standing on the equal position of male,the women writers of the May Fourth Movement spoke out the feelings and emotions of the women and reconsidered the gender relationship and made love conceptually sacred.However,up to the time of Shanghai modern women writers,they began to question the man′s sanctity and greatness,so a series of male-castrated images were created.The gloomy life and sad fate of women permeated the literal atmosphere of the novels of Shanghai School,where the women writers gave a full portrait of the worldly routine existence of people,and the citizen consciousness which best represents the spirits of the city has been fully conveyed.
出处
《洛阳理工学院学报(社会科学版)》
2010年第5期23-26,91,共5页
Journal of Luoyang Institute of Science and Technology:Social Science Edition
基金
广东省哲学社会科学规划项目"主体体验与中国左翼文学的发生"的阶段性成果(项目号:08YJ-04)
国家社会科学基金青年项目"中国左翼文学研究"(批准号:10CZW058)
教育部人文社会科学研究基金青年项目"中国左翼文学的发难与演进(1927-1937)"(批准号:09YJC751035)的阶段性成果
关键词
上海
女作家
女性欲望
阉割
爱情
诗化
世俗
Shanghai
women writers
female desire
castration
love
poetic
common customs