摘要
黄健认为,"五四"新文化对"中国形象"的塑造,其性质是对现代中国的一种形象重塑、价值重建和意义重构。它主要以三条不同的路径,即现实理性的、激情浪漫的和自省叩问的方式展开。
Huang Jian proposes that the construction of the image of China in May 4th culture had took three different ways,i.e.,rational-realistic,romantic and introspect ways,for creating new value and new meaning.
出处
《学术月刊》
CSSCI
北大核心
2010年第11期95-97,共3页
Academic Monthly