暗夜里的生命“交响曲”——论《原野》戏剧音响的多重功能

Vital "Symphony" in Dark Nights——the Mltiple Functions of Dramatic Sounds in Field

《原野》在曹禺的"生命三部曲"中,最富有瑰丽、神秘的艺术魅力。在创造这种精妙的艺术效果过程中,"戏剧音响"发挥了多重作用,一是作为叙事元素,参与戏剧情境的营造,展现戏剧人物活动的时空背景,并自觉构成人物生命历程中的特定景况;二是充当"心理动作",呈示人物内心状态的外部幻象,并促动情节"突转";三是作为戏剧意象,承载丰厚的心理意蕴,并参与创造"原野"这一整体象征系统。在"暗夜里的原野"这一时空场域内,戏剧音响已经不再是纯粹的声音符号,而是主动地参与了《原野》艺术效果的织造和诗化内涵的表达。

In CAO Yu＇s ＂Trilogy of Life＂, Field is a representative of flamboyant and mysterious charms. In the creation of such fascinating artistic effect, ＂the dramatic sounds＂ have played multiple roles, which are embodied in three phases： firstly, as nar- rative elements, the sounds construct the dramatic situation, show the temporal and spatial background of dramatic figures^ctivi- ties, and creates the ＂special situation＂ in figures＇experiences; secondly, the dramatic sounds perform as the ＂psychological ac- tions＂ , show the illusory images of figures＂ psychological situation, and promote the＂ sudden changes＂ of plots; thirdly, as the dramatic images, they bear abundant psychological connotation, and take part in the construction of the symbolic system＂ the field＂. In the background of ＂field in dark nights＂, the dramatic sounds have not been the pure signs of sound, but have been concerned with the creation of artistic effect and the poetic connotation of Field.