摘要
回族作家张承志与壮族作家东西,在小说叙事方式和姿态上具有惊人的共性价值意向,他们站在主流文化的边缘,以民间的审美立场,展示了在主流文化笼罩下非主流话语的言说状态:以生命解释的偏执理想主义色彩和居于民间底层视角对主流社会与文化的批判与理解,背弃与接纳。
Zhuang Hui writers and writer Zhang Chengzhi Dong Xi in the narrative approach and attitude in common with the value of surprising interest,they stand on the brink of mainstream culture to non-aesthetic stance,showed the shadow of the mainstream culture in the mainstream discourse of the statement that the state of : paranoid life idealistic interpretation of color and living in the bottom perspective of the mainstream of civil society and the culture of criticism and understanding,and acceptance back.
出处
《青海民族研究》
CSSCI
北大核心
2010年第4期168-172,共5页
Qinghai Journal of Ethnology
关键词
张承志
东西
焦灼叙述
民间审美
Zhang Chengzhi
Dong Xi
anxious narrative
civil aesthetic