摘要
海德格尔的《艺术作品的本源》通过对设置入艺术作品的真理的考察,探讨了真理、艺术与存在三者的关系,阐明了人与存在在艺术中的关系。相对于海德格尔以前的作品,《艺术作品的本源》大大提升了空间的地位,更多地从空间的角度来探讨存在,并对艺术进行规定。艺术作品是存在的真理所照亮的澄明之境,是人与存在共属的"位置"和"空间"。
Based on the study of the truth set into the work of art,Heidegger's The Origin of the Work of Art interprets the relationship among truth,art and Being,and clarifies the relationship between Human and Being in art. Compared with the previous works of Heidegger,The Origin of the Work of Art greatly enhances the status of space,and explores Being and specifies art more frequently from the perspective of space. Work of art is the light illuminated by truth of Being as well as the "position" and "space" which Human and Being belong to together.
出处
《阅江学刊》
2010年第6期141-145,共5页
Yuejiang Academic Journal