现代派的“现实”认同——从袁可嘉现代诗理论中的“政治感伤性”谈起

A Discussion on ＂the Political Sadness＂ in Yuan Kejia＇s Theory of New Verse

＂政治感伤性＂是袁可嘉40年代现代诗理论中较早涉及的现象,同时,也可以视为其理论的逻辑起点之一。但现代诗的＂政治感伤性＂不同于＂政治性＂,它在40年代出现具有相应的文化背景和现实指向。为了能够更为全面地揭示袁可嘉现代诗理论的立场、策略以及理论资源,论文以此为线索,具体通过5个主要方面论述其内容及特点。至于其目的,不仅是为解读袁可嘉的现代诗理论引入一个重要视点,而且,也会在具体分析其理论的过程中,触及现代诗的历史性问题。

While the ＂political sadness＂ is an issue touched upon in Yuan Kejia＇s theory of new verse in the 1940s,it can,meanwhile,be considered one of the logical starting points for his theory.However,the ＂political sadness＂ of new verse differs from ＂politicality＂ because of its corresponding cultural background and reality orientation in the 1940s.To better reveal the position,strategy and theoretical resources of Yuan Kejia＇s theory of new verse,this paper attempts to discuss the content and characteristics of Yuan＇s theory in five aspects so as to offer an essential perspective for interpreting Yuan＇s theory of new verse as well as a probe into the historicity of modern verse.