摘要
姜文的作品带有明显的"个性印记",他用"姜文化的电影语言"演绎着自己对历史的记忆,以全新、颠覆性的视角来重新讲述历史。姜文的三部作品《阳光灿烂的日子》、《鬼子来了》、《太阳照常升起》都以极具个性化的电影语言,构筑起独特的个人话语空间,消解着传统的宏大历史叙事模式,直指那段在人们的记忆中无法抹去的动荡、荒谬、压抑的历史。
Movies by Jiang Wen are strongly stamped with his own characteristics,in which he recounts the history from a fresh destructive perspective and shows the audience his interpreta-tion of the historical memories by means of the Jiang Wen-style movie language.In his three representative works,In The Heat of the Sun,Devils on the Doorstep and The Sun Also Rises,Jiang Wen deconstructs the traditional authoritative narration of history with a special personal discourse,and in this way Jiang Wen retells the turbulent and oppressive history of absurdity that cannot be removed from the memories of Chinese people.
出处
《吉林工程技术师范学院学报》
2010年第10期22-24,共3页
Journal of Jilin Engineering Normal University
关键词
姜文
个人话语
权威叙事
消解
Jiang Wen
personal discourse
authoritative narration
destruction