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个人话语对宏大历史叙事模式的消解

Destruction of Authoritative Narration with Personal Discourse
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摘要 姜文的作品带有明显的"个性印记",他用"姜文化的电影语言"演绎着自己对历史的记忆,以全新、颠覆性的视角来重新讲述历史。姜文的三部作品《阳光灿烂的日子》、《鬼子来了》、《太阳照常升起》都以极具个性化的电影语言,构筑起独特的个人话语空间,消解着传统的宏大历史叙事模式,直指那段在人们的记忆中无法抹去的动荡、荒谬、压抑的历史。 Movies by Jiang Wen are strongly stamped with his own characteristics,in which he recounts the history from a fresh destructive perspective and shows the audience his interpreta-tion of the historical memories by means of the Jiang Wen-style movie language.In his three representative works,In The Heat of the Sun,Devils on the Doorstep and The Sun Also Rises,Jiang Wen deconstructs the traditional authoritative narration of history with a special personal discourse,and in this way Jiang Wen retells the turbulent and oppressive history of absurdity that cannot be removed from the memories of Chinese people.
作者 王衍营
出处 《吉林工程技术师范学院学报》 2010年第10期22-24,共3页 Journal of Jilin Engineering Normal University
关键词 姜文 个人话语 权威叙事 消解 Jiang Wen personal discourse authoritative narration destruction
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参考文献3

  • 1戴锦华.雾中风景[M].北京:北京大学出版社,2000.47.
  • 2姜文接受专访:我追求电影比追女人耐心多了[EB/OL].[2007-08-13].中国经济网,http://www.ce.cn/kjwh/ylmb/ylysj/200708/13/t20070813_12520415_3.shtml.
  • 3姜文访谈.给自己拍的电影最能感动人[N].羊城晚报,2003-09-25.

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