《秦将赋》惨象描写的历史文化背景

On the historical and cultural background to description of cruelty scenes in Qinjiang Fu(the Sing to The Qin's Generals)

本文分析了《秦将赋》对杀降的惨象描写与中晚唐历史、文化环境的关系,指出该赋与佛教地狱描写貌似神异,而且不一定指涉敦煌陷蕃的时局,其体貌当与唐代尚武风气与仁治思想的冲突、禁止杀降的法律、中晚唐战事加剧等有关。《秦将赋》承袭了不同文体的特征,呈现了不同文学体式的交融。

This article tries to investigating relation between the description of cruelty scenes in The Sing to Qin＇s General and a wide range of historical and cultural circumstances of mid-Tang and late-Tang times and pointed out that the description of cruelty scenes in literature are shares assimilate to the hell in Buddhist text and had no necessarily referring to the historical events of Tibetan occupation period in Dunhuang.This article argued that the rhapsody（Fu）＇s style was owing to the conflict between militarism and the idea of rule of benevolence in the Tang Dynasty,the law prohibiting killing of surrendering enemy troops and the intensification of war in mid-Tang and late-Tang.The rhapsody（Fu）inherits some features from different genres and its description of tragic scenes reveals a way of genre crossover and integration.