二十世纪二十年代中国戏剧现代性之考察--以《晨报副刊》和《京报副刊》为视角

On Modernity of Chinese Dramas in the 1920s

本文试图以《京报副刊》与《晨报副刊》作为学术视角,由现代性动力学的观念入手,结合二十世纪二十年代中国戏剧发展历程,分别从现代性的分化特征和精神价值观的转变来考察中国戏剧现代性的表现,并且希望通过启蒙现代性和审美现代性的双重视角来挖掘人们对新旧剧认识转变之表现,阐明中国戏剧从传统到现代的根本转变并指出它的现代内涵和精神特质在文艺副刊上的体现。

This paper aims to concentrate on,from the angle of Jingbao Supplement and Chenbao Supplement,the development of Chinese dramas in the 1920s,and tries to probe into modernity of Chinese dramas in two aspects,enlightenment modernity and aesthetic modernity.This paper elucidates the ultimate change and modern features in the process from Chinese traditional dramas to modern dramas on the stage of literary supplement.