摘要
词作为合乐而歌的韵文,倚声而作是其本色。用字用韵都须符合音乐的节拍及唱腔的要求,可歌性是词家严守之道。随着词的发展,优秀作品不断出现,曲体元素又逐渐失传,词与"曲"疏离。以前人词作为本,倚式而作渐成主流。但倚式中并不失倚声痕迹。与此同时,"依律"之势渐起。二者璀璨共生,推动了词及音乐的发展。
Being a rhyming,Ci is written and sung according to tunes. Linguistic unit and rhythm must accord with the beat of ＂music＂ . Literates paid attention to Tuning during Ci indicting. But with the development of Ci, the music can＇t hand down to generations. Literates modeled his style of those others. On the other hand, their inditing habits also drove them to adopt sentences based on previous poetic metre,thus initiated the Toning of Ci.The Ci inditing of literates turned on an alternation between ＂Tuning＂ and ＂Toning＂ .This development propel ci and music forward.
出处
《内蒙古师范大学学报（哲学社会科学版）》
2010年第1期115-118,共4页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
基金
国家社科基金项目"诗词关系及词的演进"(09XZW008)成果之一
关键词
倚声
依律
特点
发展
Tuning Toning
Characteristic
Development
