论西方现代艺术中的反再现主义

On the Anti-reproductionism in the Western Modern Arts

从古希腊开始的艺术摹仿说在西方一度占据主导地位,它强调艺术是对生活的真实再现,可以协助人们认知世界。但现代主义先锋派却认为一切现实主义的艺术再现都不过是"审美幻象",其背后隐藏着不光彩的意识形态控制意图,在让人陶醉于"舒舒服服的"再现内容的同时,也把人变为社会驯服的主体。因此,先锋艺术均有着强烈的反再现主义精神,并把艺术上的反再现与政治上的反叛联系起来,但其政治上的悖论也由此表现无遗,彻底反再现的艺术实践与其激进的文化政治主张背道而驰。

The theory of art imitaion initiated ancient Greece held sway for a time in the West,which stresses the artistic real reproduction of lives and helps the people cognize the world.However,modernistic avant-garde thinks that all realistic art reproductions are only＂aesthetic mirage＂,which hides the control purpose of ideology to turn the people into social meek subject.Therefore,avant-garde arts have the strong spirit of anti-reproductionism and link up the art anti-reproduction with the political revolt,which produces a political paradox,namely the complete art practice of anti-reproduction running counter to radical political proposition of culture.