摘要
纵观服装的发展史,它的文化内涵总是渗透在各个历史时期的社会生活中,是时代政治、经济、文化的产物。因此,可以说服装是社会的一面镜子,它浓缩着人类的社会文化观念和民族文化风貌。千姿百态、绚丽多彩的少数民族服装服饰不仅是其传统文化内涵的补充和外在表现,也是当今服装设计领域取之不尽、用之不绝的丰厚资源。民族服饰的色彩、图案、配饰、手工艺术等在现代设计中的运用,既弘扬了民族文化又丰富了现代设计。民族的就是世界的,这是当今世界的主题,也是我们在服装发展上所看到的必然趋势。民族服饰作为物质文化和精神文化的一种结合体,是一种符号,也是一种语言。世界经济飞速发展,高新技术的不断问世,人们对美的追求也不断变更,在追求现代美的同时,也追求一种"过时美"。在现代服装设计中,民族元素被一次次的亮相于服装舞台,但不是民族文化的翻版,而是以一种崭新的姿态注入新的流行气息,具有新的生命力。民族文化精神以它博大的内涵、独特的审美意韵和丰富的表现形式,给现代服装带来新的冲击,也给现代服装文化增添了新的闪光点。
Takhag a wide view of the development history of clothing, its cultural contents always permeate in every historical period of social activities, presenting as the products of politics, economy and culture of all times. Therefore, clothing is supposed to be a mirror reflecting social activities, which comprises human social cultural conceptions and ethnic cultural appearance. Various, gorgeous and colorful ethnic clothing is not only the complement of its tradition cultural content as well as external expressions , but also a permanent resource of the present clothing designing field. The color-presenting, patterns, together with decoration and handicraft arts, all the above, implemented in modem design, entitle ethnic cultures and then enrich the elements in designs. What ethnic is what worldwide. This is a topic all over the world, at the same time, an inevitable trend in clothing design. Regarded as a compound of material culture and spiritual culture, ethnic clothing is a kind of notation then a form of language. With the world's economy boosting rapidly and the constant updating of high-tech technology, man's taste of beauty are changing invisibly. While pursuing modem arts, people are longing for a kind of out-of-date beauty. As a result, ethnic style is shining on stage repeatedly. Instead of a duplication of ethnic cultures, it injects fresh postures into clothing design, flowing fashionable tide and live power. Ethnic cultural spirits, together with its enormous internal meanings, special perspective of beauty-appreciation and ample forms of expression, are making an immense strike on modem clothing, and nevertheless, adding new shining spots into this world of art.
出处
《黑龙江纺织》
2010年第3期23-26,共4页
Heilongjiang Textiles
基金
黑龙江省高等教育学会"十一五"教育科学研究规划课题<基于民族文化的服装设计教学改革研究>的研究成果课题编号:115C-904
关键词
民族风格
民族元素
服装设计
应用
ethnic style
ethnic elements
clothes design
application