论20世纪90年代的乡土书写

On the Rural Writing in 1990's

20世纪90年代以来的中国乡土小说,呈现回归鲁迅所开创的乡土书写的黑色调的趋势。这是一种以现代思想为坐标,正视苦难、反思传统的勇气和理性。表现出了世纪末中国文学对于"五四"传统的回归。同时,作家们精神回乡的过程中,所流露出的神话荒蛮的态度,又反映出这种回归的非整体性,尤其受后现代思潮影响而产生的乡土创作中的无意义心态,更成为一种漠视历史的理性缺失。

Since the 1990＇s, the Chinese modern rural novel has trend to the tradition of black tone which was opened by Lu Xun. This is courage and ration to face the suffering of the Chinese rural world and refleet the Chinese tradition, showing that the Chinese literature of the end of 21 century returns to the tradition of the May 4th Movement. At the same time, in the process of spiritural return home, the writers show the attitude of the myth of wild through their work, which shows that the return is not the overall. Particularly, the nonsense attitude in the works influenced by the postmodernism, also be irrational to ignore the history.