焦菊隐与北京人艺舞台空间美学形态的确立

Jiao Juyin and Foundation of the Aesthetic Form of Beijing People's Art Theater's Stage Space

焦菊隐的演剧创造及其诗意的美学理念,对北京人艺舞台空间的构成和美学形态的确立产生了重要影响。面对不同类型的戏剧文本,焦菊隐善于选择适宜的戏剧符号进行舞台空间的组合,这使北京人艺的舞台演出带有鲜明的艺术个性和审美自足性。现实题材话剧和历史剧分别体现了焦菊隐舞台空间创造的不同追求,典型化、地域化的社会公共空间和写意性、民族性的诗化审美空间正是这两种追求的典型特征。焦菊隐对舞台空间的美学创造是焦菊隐导演学派的基础环节,也是北京人艺演剧学派和艺术风格的重要特色,影响了北京人艺一代导演的舞台创造。

Jiao Juyin＇s creation of performance and poetic aesthetic concept have had a great effect on stage space as the aesthetic tradition of Beijing People＇s Art Theater.Jiao Juyin was good at choosing the proper theatrical signs creating stage space with different kinds of dramatic texts.This made the performance of Beijing People＇s Art Theater have unique artic characteristic.Real life theatre and historical theatre illustrated Jiao Juyin＇s different pursuit in creating the stage space.Typical,local social space and poetic,national aesthetic space were the main features of these pursuit.Jiao Juyin＇s aesthetic creation of stage space is the base part of the School of Director at Jiao Juyin and also the important characteristic of the Schol of Performance at Beijing People＇s Art Theater.It affected Beijing People＇s Art Theater＇s first generation directors＇ stage creation.