摘要
由于在油性材料上没有形成成熟的语言表现体系,因此限制了油画在中国的发展。文章从油画表现语言的色层建构角度出发,探析了油画材料的演变,并通过分析绘画大师的作画方法,认为油画的色层建构是油画的代表性绘画语言。
The lack of a mature language expressing system in oil painting materials has become the major obstacle to the development of oil painting in China.Analyzing the evolvement of oil painting materials and the painting techniques of masters in the painting history,we would find out that the construction of color layers is the most representative language of oil painting.
关键词
丹培拉
油画
光学灰
色层
tempera
oil painting
color layer
